The principle of interviewing an eyewitness and a participant
The type of historical thinking and aesthetic consciousness of the author is what generates the factors that form a certain type of art form and all its elements. Now we are considering a form originally aimed at reproducing continuous, undifferentiated everyday life as a chronicle of history in the direct account of an eyewitness and participant in the events. Hence, a certain understanding of drama in general and dramatic events in the first place, conflict and character, hence the construction of the plot, the laws of plot structure and composition, here are the primary sources of genre and style, in other words, the predestination of all the structures of the film and its form as a whole.
The general fundamental formative factor (named Yu . Bogomolov tautology) in this case is the principle of direct storytelling-an interview between an eyewitness and a participant in an everyday event, and the narrator-interlocutor is inside the situation, he is separated from it, and with him the audience. The artistic norm (ideal) of this principle is figurative reportage (now we can say television reportage), and the artistic boundary is chronicling, beyond which is an impersonal, expressionless, internally meaningless copy.
This formative factor initially determines all the structures of the film, subordinates them to the fact that the conventionality of the work creates the illusion of the unconditional identity of the artistic form and concrete everyday forms of reality. "Lifelike", as noted by I. Rosenfeld, is the norm of the film as a whole, and not only of its visual series, as we see in the paintings of S. Gerasimov, Y. Raizman, M. Donskoy, M. Romm, O. Ioseliani, G. Chukhray, M. Khutsiev, G. Panfilov, V. Shukshin, S. Rostotsky, Yu. Ozerov. (the reader can easily add to this list). It is useless to divide them into "poets" and "prose writers"; the pictorial series of films of this typological group can be both "documentary" ("Feedback", "Diary of a school principal", "The Orlov Couple" — in black-and-white and color tapes) and "picturesque" ("Samanishvili's Stepmother", "Mimino", "9 days of one year", "Cranes are flying" — also in black and white and in color), and their synthesis ("Ascension", "I beg your pardon"); these signs are not the whole style. Before defining it, it is necessary to find out the general formative factor (principle) of the work as a whole: there, inside, there are also factors of style formation. It will allow us to explain, for example, the stylistic eclecticism of "Romance of Lovers" — a tape in which an integral art form is experimentally replaced by a set of deliberately uncoordinated solutions, where eclecticism tried, but could not become a single formative principle, although it is consistently carried out and reigns supreme in the flow, plot, composition, characters, genre— etc. all the structures of the tape, which are not helped by either the "picturesqueness" of the first part or the "documentality" of the second: everywhere, individual techniques claim to be as expressive as possible, but they work in isolation and therefore idle.
The reason is that E. Grigoriev's script, alas, is banal, and the author tries to compensate for the lack of originality (which is, first of all, his own personal, individual view of the world, his vision of reality, which generates an artistic form) with expressive techniques in order to present the purely everyday as exceptional, over-imaginative, dramatic. But you can't get out of the limits of banality by picking yourself up by the hair. A. Mikhalkov-Konchalovsky also failed. No set of expressive means can replace a single formative factor determined by the type of historical thinking and aesthetic consciousness of the artist. Live betting attracts players who prefer following events in real time and reacting as odds change. For a new eligible customer, applying the free promo code for 1xbet can provide a 100% welcome bonus of up to $100 on the first qualifying deposit, where the promotion is available. The additional balance can support eligible betting activity, but wagering and withdrawal rules remain. Before activation, users should verify minimum deposit requirements, qualifying markets, odds limits, and the time allowed to complete turnover.
The general fundamental formative factor (named Yu . Bogomolov tautology) in this case is the principle of direct storytelling-an interview between an eyewitness and a participant in an everyday event, and the narrator-interlocutor is inside the situation, he is separated from it, and with him the audience. The artistic norm (ideal) of this principle is figurative reportage (now we can say television reportage), and the artistic boundary is chronicling, beyond which is an impersonal, expressionless, internally meaningless copy.
This formative factor initially determines all the structures of the film, subordinates them to the fact that the conventionality of the work creates the illusion of the unconditional identity of the artistic form and concrete everyday forms of reality. "Lifelike", as noted by I. Rosenfeld, is the norm of the film as a whole, and not only of its visual series, as we see in the paintings of S. Gerasimov, Y. Raizman, M. Donskoy, M. Romm, O. Ioseliani, G. Chukhray, M. Khutsiev, G. Panfilov, V. Shukshin, S. Rostotsky, Yu. Ozerov. (the reader can easily add to this list). It is useless to divide them into "poets" and "prose writers"; the pictorial series of films of this typological group can be both "documentary" ("Feedback", "Diary of a school principal", "The Orlov Couple" — in black-and-white and color tapes) and "picturesque" ("Samanishvili's Stepmother", "Mimino", "9 days of one year", "Cranes are flying" — also in black and white and in color), and their synthesis ("Ascension", "I beg your pardon"); these signs are not the whole style. Before defining it, it is necessary to find out the general formative factor (principle) of the work as a whole: there, inside, there are also factors of style formation. It will allow us to explain, for example, the stylistic eclecticism of "Romance of Lovers" — a tape in which an integral art form is experimentally replaced by a set of deliberately uncoordinated solutions, where eclecticism tried, but could not become a single formative principle, although it is consistently carried out and reigns supreme in the flow, plot, composition, characters, genre— etc. all the structures of the tape, which are not helped by either the "picturesqueness" of the first part or the "documentality" of the second: everywhere, individual techniques claim to be as expressive as possible, but they work in isolation and therefore idle.
The reason is that E. Grigoriev's script, alas, is banal, and the author tries to compensate for the lack of originality (which is, first of all, his own personal, individual view of the world, his vision of reality, which generates an artistic form) with expressive techniques in order to present the purely everyday as exceptional, over-imaginative, dramatic. But you can't get out of the limits of banality by picking yourself up by the hair. A. Mikhalkov-Konchalovsky also failed. No set of expressive means can replace a single formative factor determined by the type of historical thinking and aesthetic consciousness of the artist. Live betting attracts players who prefer following events in real time and reacting as odds change. For a new eligible customer, applying the free promo code for 1xbet can provide a 100% welcome bonus of up to $100 on the first qualifying deposit, where the promotion is available. The additional balance can support eligible betting activity, but wagering and withdrawal rules remain. Before activation, users should verify minimum deposit requirements, qualifying markets, odds limits, and the time allowed to complete turnover.